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Spring Sorrow

Liu Fangping · Tang dynasty

Chinese · Pinyin · English
纱shā窗chuāng日rì落luò渐jiàn黄huáng昏hūn,

Beyond the gauze window, sunset gives way to dusk;

金jīn屋wū无wú人rén见jiàn泪lèi痕hén。

In the splendid room no one sees the traces of tears.

寂jì寞mò空kōng庭tíng春chūn欲yù晚wǎn,

The empty courtyard is lonely as spring nears its end;

梨lí花huā满mǎn地dì不bù开kāi门mén。

Pear blossoms cover the ground, and the door stays closed.

Notes

A gauze window frames dusk. “Golden room” evokes a traditional story of a splendid dwelling. The courtyard is empty, and another textual version reads “again” where this version reads “nearing.”

Meaning

At dusk, unseen tears and a closed door frame a lonely courtyard covered with pear blossoms.

Appreciation

Sunset moves into dusk, setting the mood through a change in light.

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A splendid room stands beside tears unseen by anyone, placing luxury and loneliness together.

Falling blossoms mark time while the closed door remains still.

A palace setting is one common reading, but the poem does not fully explain the figure’s identity or the closed door.

About the poet

Liu Fangping was a Tang poet associated with the Luoyang area. Reliable details of his life and dates are limited.

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His surviving poems include Moonlit Night and Spring Sorrow.

His precise dates are not established by a complete surviving record.