Song of the Cave Immortal: Ice-White Skin, Jade Bones
When I was seven years old, I saw an old nun of Meizhou, surnamed Zhu — I have forgotten her name — ninety years of age. She said that once, following her teacher, she had gone into the palace of Meng Chang, the lord of Shu; on a very hot day, the lord of Shu and the Lady of the Flower Calyx took the cool of evening beside the Mohe Pool, and he made a song, which Zhu could recite in full. Now forty years have gone by, Zhu has long been dead, and no one any longer knows that song; I remembered only its first two lines. On an idle day I turned them over in my mind: surely they belong to the tune called Dongxian Ge? So I completed it as follows.
Skin of ice, bones of jade: naturally cool, without a trace of sweat. The wind comes into the waterside hall, and a hidden fragrance fills it. The embroidered curtain opens, and one spot of bright moon peeps in upon the sleeper: she has not yet slept, but lies pillowed aslant, the hairpin fallen and her hair in disorder.
He rises and takes her white hand; the court and gate are soundless; from time to time one sees the sparse stars crossing the River of Heaven. Let me ask how far the night has gone: the night is already at the third watch; the golden ripples grow pale, the Jade Rope turns low. Only, counting upon my fingers — when will the west wind come? Not knowing that the fleeting years, unseen, are stolen away.
Reading notes
The preface gives Su Shi’s recollection and his account of completing the lyric. The transmission of the earlier palace song has been debated; the recollection is presented as the author’s account. 仆 is a first-person self-reference, read pú; 汗 is read hàn.

