Watching the Wheat Harvest
Farm families have few idle months;
In the fifth month everyone is twice as busy.
A south wind rises in the night;
Yellow wheat covers the ridges.
Women carry baskets of food;
Children bring pitchers of drink.
Together they take provisions to the fields,
Where working men are on the southern slope.
Their feet steam in heat rising from the soil;
Their backs are scorched by the burning sun.
Their strength spent, they scarcely notice the heat,
Only cherishing the long summer day.
Nearby is another, a poor woman,
Holding her child at her side.
In her right hand she gathers fallen ears of grain;
On her left arm hangs a worn basket.
I hear her speak to those around her;
Her words make listeners sad:
“Our family fields are gone to pay the taxes;
I pick these scraps to fill our hungry stomachs.”
What merit have I now?
I have never worked at farming or tending silkworms.
My official salary is three hundred dan;
At year’s end I still have grain to spare.
Thinking of this, I feel ashamed in private;
All day I cannot forget it.
Notes
Yì means to cut or harvest. The fifth month is a lunar-calendar month. Women carry food and children bring drink to workers in the fields. Yísuì are ears of grain left after harvest; bì means worn. Nóngsāng means farming and raising silkworms. Dàn is a traditional measure of grain; suìyàn means the end of the year.
Meaning
At harvest, families bring food to laborers working in the heat. A poor woman gathers leftover ears of wheat after losing her fields to taxes. The speaker reflects on receiving an official salary without farming and feels ashamed.
Appreciation
The poem moves from a busy wheat harvest to field workers, a poor gleaner and finally the speaker’s own reflection.
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The opening establishes the season and follows food carried by family members to the field.
Heat rises from the ground and the sun beats down. The workers value the long daylight even when exhausted because there is so much work to do.
The woman’s explanation reveals the burden of tax. The speaker contrasts her hardship with his own salary and surplus grain.
Retell the stages—bringing food, harvesting, gleaning and reflecting—and ask why the scene of harvest also causes sorrow.
About the poet
Bai Juyi (772–846), courtesy name Letian, was a Tang poet and official born near present-day Xinzheng, Henan.
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His works include Song of the Pipa Player, Song of Everlasting Sorrow and many poems about daily life.

