听古诗 Poetry Buds
300 Tang Poems / Song of the Stone Drums
English中文

Song of the Stone Drums

韩愈 · Tang dynasty

English translation and interpretation are being reviewed.

Original poem · Pinyin
张zhāng生shēng手shǒu持chí石shí鼓gǔ文wén,
劝quàn我wǒ试shì作zuò石shí鼓gǔ歌gē。
少shào陵líng无wú人rén谪zhé仙xiān死sǐ,
才cái薄bó将jiāng奈nài石shí鼓gǔ何hé。
周zhōu纲gāng凌líng迟chí四sì海hǎi沸fèi,
宣xuān王wáng愤fèn起qǐ挥huī天tiān戈gē。
大dà开kāi明míng堂táng受shòu朝cháo贺hè,
诸zhū侯hóu剑jiàn佩pèi鸣míng相xiāng磨mó。
蒐sōu于yú岐qí阳yáng骋chěng雄xióng俊jùn,
万wàn里lǐ禽qín兽shòu皆jiē遮zhē罗luó。
镌juān功gōng勒lè成chéng告gào万wàn世shì,
凿záo石shí作zuò鼓gǔ隳huī嵯cuó峨é。
从cóng臣chén才cái艺yì咸xián第dì一yī,
拣jiǎn选xuǎn撰zhuàn刻kè留liú山shān阿ā。
雨yǔ淋lín日rì炙zhì野yě火huǒ燎liáo,
鬼guǐ物wù守shǒu护hù烦fán撝huī呵hē。
公gōng从cóng何hé处chù得dé纸zhǐ本běn,
毫háo发fà尽jìn备bèi无wú差chà讹é。
辞cí严yán义yì密mì读dú难nán晓xiǎo,
字zì体tǐ不bù类lèi隶lì与yǔ蝌kē。
年nián深shēn岂qǐ免miǎn有yǒu缺quē画huà,
快kuài剑jiàn斫zhuó断duàn生shēng蛟jiāo鼍tuó。
鸾luán翔xiáng凤fèng翥zhù众zhòng仙xiān下xià,
珊shān瑚hú碧bì树shù交jiāo枝zhī柯kē。
金jīn绳shéng铁tiě索suǒ锁suǒ钮niǔ壮zhuàng,
古gǔ鼎dǐng跃yuè水shuǐ龙lóng腾téng梭suō。
陋lòu儒rú编biān诗shī不bù收shōu入rù,
二èr雅yǎ褊biǎn迫pò无wú委wēi蛇yí。
孔kǒng子zǐ西xī行xíng不bú到dào秦qín,
掎jǐ摭zhí星xīng宿xiù遗yí羲xī娥é。
嗟jiē余yú好hào古gǔ生shēng苦kǔ晚wǎn,
对duì此cǐ涕tì泪lèi双shuāng滂pāng沱tuó。
忆yì昔xī初chū蒙méng博bó士shì征zhēng,
其qí年nián始shǐ改gǎi称chēng元yuán和hé。
故gù人rén从cóng军jūn在zài右yòu辅fǔ,
为wèi我wǒ度duó量liàng掘jué臼jiù科kē。
濯zhuó冠guān沐mù浴yù告gào祭jì酒jiǔ,
如rú此cǐ至zhì宝bǎo存cún岂qǐ多duō。
毡zhān包bāo席xí裹guǒ可kě立lì致zhì,
十shí鼓gǔ只zhǐ载zài数shù骆luò驼tuó。
荐jiàn诸zhū太tài庙miào比bǐ郜gào鼎dǐng,
光guāng价jià岂qǐ止zhǐ百bǎi倍bèi过guò。
圣shèng恩ēn若ruò许xǔ留liú太tài学xué,
诸zhū生shēng讲jiǎng解jiě得dé切qiē磋cuō。
观guān经jīng鸿hóng都dū尚shàng填tián咽yàn,
坐zuò见jiàn举jǔ国guó来lái奔bēn波bō。
剜wān苔tái剔tī藓xiǎn露lù节jié角jiǎo,
安ān置zhì妥tuǒ帖tiē平píng不bù颇pǒ。
大dà厦shà深shēn檐yán与yǔ盖gài覆fù,
经jīng历lì久jiǔ远yuǎn期qī无wú佗tuó。
中zhōng朝cháo大dà官guān老lǎo于yú事shì,
讵jù肯kěn感gǎn激jī徒tú媕ān婀ē。
牧mù童tóng敲qiāo火huǒ牛niú砺lì角jiǎo,
谁shuí复fù著zhuó手shǒu为wéi摩mā挲sā。
日rì销xiāo月yuè铄shuò就jiù埋mái没mò,
六liù年nián西xī顾gù空kōng吟yín哦é。
羲xī之zhī俗sú书shū趁chèn姿zī媚mèi,
数shù纸zhǐ尚shàng可kě博bó白bái鹅é。
继jì周zhōu八bā代dài争zhēng战zhàn罢bà,
无wú人rén收shōu拾shí理lǐ则zé那nǎ。
方fāng今jīn太tài平píng日rì无wú事shì,
柄bǐng任rèn儒rú术shù崇chóng丘qiū轲kē。
安ān能néng以yǐ此cǐ尚shàng论lùn列liè,
愿yuàn借jiè辩biàn口kǒu如rú悬xuán河hé。
石shí鼓gǔ之zhī歌gē止zhǐ于yú此cǐ,
呜wū呼hū吾wú意yì其qí蹉cuō跎tuó。

English translation

Zhang holds in hand the text of the Stone Drums, and urges me to try making a Song of the Stone Drums.

Shaoling is gone, the Banished Immortal is dead; my talent is slight — what can I do with the Stone Drums?

The bonds of Zhou slackened and the four seas boiled; King Xuan rose in wrath and brandished the heavenly spear.

He threw wide the Bright Hall to receive the court's homage; the swords and pendants of the feudal lords clashed and ground together.

He hunted at Qiyang, giving rein to his brave steeds; for ten thousand leagues birds and beasts were all caught in the nets.

He carved his merit, engraved his achievement, to declare it to ten thousand ages; he hewed the stone into drums, cutting down the towering crags.

The talents of his attending ministers were all of the first rank; chosen to compose and to carve, they left them on the mountain slope.

Drenched by rain, scorched by sun, swept by wildfire; spirits and demons keep watch, troubling themselves to ward and to shout.

Where did you get this paper rubbing? Every hair's-breadth complete, without a single error.

The wording is austere, the meaning dense, hard to read; the script resembles neither the clerical nor the tadpole form.

Through such depth of years how could it escape broken strokes? — like a swift sword hacked through living dragons and alligators.

Phoenixes soaring, the immortals descending; coral and jade-green trees interlacing branch and bough.

Golden cords and iron chains, the locks stout and strong; the ancient tripod leaping from the water, the dragon mounting the shuttle.

The shallow scholars who compiled the Songs did not take it in; the two Ya are narrow and cramped, without the grand flowing manner.

Confucius journeyed west but never reached Qin; he culled the constellations and left out the sun and moon.

Alas, I love antiquity yet was born grievously late; facing these, my tears pour down in floods.

I recall of old when first I was summoned to be a Doctor; that year the reign-title was first changed to Yuanhe.

An old friend, serving in the army at Youfu, for my sake measured and dug out the socket-holes.

I rinsed my cap and bathed, and told the Libationer: such a supreme treasure — how many can be left?

Wrapped in felt and matting they could be brought at once; the ten drums would load but a few camels.

Offered in the Grand Temple, ranked with the tripod of Gao, their glory and worth would exceed it a hundredfold and more.

If the sage's grace allowed them to stay in the Imperial College, the students could expound and study them together.

Those who came to view the classics at Hongdu still thronged the gates; at once the whole realm would come hurrying.

Scrape the moss, pick out the lichen, and the joints and corners appear; set them in place, firm and level, not aslant.

A great hall with deep eaves to cover them over; through the long years to come, may no harm befall.

The high officials at court are hardened in affairs; how should they be moved? They only hem and haw.

Herdboys strike fire from them, cattle sharpen their horns on them; who again will put a hand to stroke them?

Worn by days, melted by months, they sink into oblivion; for six years I have gazed westward and chanted in vain.

Xizhi's vulgar writing, courting a pretty grace — a few sheets of it could still win a white goose.

The eight dynasties after Zhou ended in war upon war; no one gathered them up — and what is to be done?

Now at last there is peace, and days without troubles; power rests with the Confucian arts, honoring Qiu and Ke.

How can I bring this forward for debate? I would borrow a pleading mouth like a falling river.

The Song of the Stone Drums ends here — alas, my hopes will come to nothing.

Meaning

Zhang holds in his hand a rubbing of the stone-drum inscription of the Zhou, and urges me to write a Stone Drum Song in praise of it.

Du Fu and Li Bai, whose talents covered the age, are both long dead; a man of slender gifts faces the stone drums and can do nothing.

The Zhou court declined and the whole realm fell into turmoil; King Xuan of Zhou roused himself, raised his troops, and lifted the heavenly spear.

At the celebration he threw open the Hall of Light to receive homage; the feudal lords came in an endless train, their swords and pendants clashing and grinding.

How splendid was King Xuan's hunt at Qiyang; the beasts of all four quarters had nowhere to hide and were all netted.

To carve heroic deeds on stone and make their fame last ten thousand ages, they cut the mountain rock, carved the stone drums, and shattered the towering crags.

The ministers in his train were the finest talents in the world; the best were chosen to write the inscription, carved and set upon the hillside.

Though for long years rain has beaten and sun burned and wild fires scorched them, guarded by gods and spirits the stone drums are never lost.

Where did you get the original from which this rubbing was made? It is complete in the slightest detail, without a single error.

Words

Background

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This poem was written in 811, the sixth year of the Yuanhe era of Emperor Xianzong of Tang. The Stone Drum inscriptions are China's earliest stone carvings and were made in the Qin dynasty, though Han Yu believed them to be the work of King Xuan of Zhou. In the eyes of the court they were nothing but a few moss-covered old objects, so that their fate could hardly be mentioned in the same breath as the bronze ritual vessels yielded up by the commanderies and principalities. Saddened by the neglect of these stone drums, Han Yu wrote the long poem "Song of the Stone Drums."

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