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Calming the Waves: Since Spring Came, Mournful Green and Sad Red

Liu Yong · Song dynasty

Chinese · Pinyin · English
自zì春chūn来lái惨cǎn绿lǜ愁chóu红hóng,
芳fāng心xīn是shì事shì可kě可kě。
日rì上shàng花huā梢shāo,
莺yīng穿chuān柳liǔ带dài,
犹yóu压yā香xiāng衾qīn卧wò。
暖nuǎn酥sū消xiāo、
腻nì云yún亸duǒ,
终zhōng日rì厌yān厌yān倦juàn梳shū裹guǒ。
无wú那nuò。
恨hèn薄bó情qíng一yī去qù,
音yīn书shū无wú个gè。

Ever since spring came the green has turned sad and the red distressed; my heart finds no pleasure in anything. The sun climbs the flower-tips, the orioles thread the willow strands — and still I lie pressed beneath the scented quilt. The warm softness wasted, the glossy cloud of hair fallen loose; all day listless, sick of combing and arraying myself. Nothing to be done: I hate that the heartless one went off and left never a word.

早zǎo知zhī恁nèn么me,
悔huǐ当dāng初chū、
不bù把bǎ雕diāo鞍ān锁suǒ。
向xiàng鸡jī窗chuāng,
只zhǐ与yǔ蛮mán笺jiān象xiàng管guǎn,
拘jū束shù教jiāo吟yín课kè。
镇zhèn相xiāng随suí、
莫mò抛pāo躲duǒ,
针zhēn线xiàn闲xián拈niān伴bàn伊yī坐zuò。
和hé我wǒ。
免miǎn使shǐ年nián少shào,
光guāng阴yīn虚xū过guò。

Had I known it would come to this, I would have locked his carved saddle away at the start. Before the study window, with nothing but fine paper and brush, I would have held him to his lessons. Always at his side, never to be left — idly taking up my needlework to sit beside him. And with me — so that our youthful years need not slip away in vain.

Reading notes

厌厌 describes listlessness and is read yān yān. 无那 means being helpless; this page follows the consulted annotation in reading 那 as nuò, while nà is also used. 鸡窗 stands for a study, and 镇 means “constantly.”