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Water Clock at Night: Willow Threads Long

Wen Tingyun · Tang dynasty

Chinese · Pinyin · English
柳liǔ丝sī长cháng,
春chūn雨yǔ细xì,
花huā外wài漏lòu声shēng迢tiáo递dì。
惊jīng塞sài雁yàn,
起qǐ城chéng乌wū,
画huà屏píng金jīn鹧zhè鸪gū。

The willow strands are long, the spring rain fine; beyond the flowers the water-clock drips, far and faint. It startles the frontier geese and rouses the city crows; golden partridges adorn the painted screen.

香xiāng雾wù薄bó,
透tòu帘lián幕mù,
惆chóu怅chàng谢xiè家jiā池chí阁gé。
红hóng烛zhú背bèi,
绣xiù帘lián垂chuí,
梦mèng长cháng君jūn不bù知zhī。

The scented mist is thin, and pierces the curtain and the blind: I am melancholy by the pool and pavilion of a woman’s residence. The red candle turned away, the embroidered blind hangs low; the dream is long, and you know nothing of it.

Reading notes

塞 in 塞雁 is read sài; 薄 in 香雾薄 uses the literary reading bó. The golden partridges are screen decoration, not living birds startled by the water-clock. 谢家 conventionally evokes a woman’s residence here, rather than identifying a particular Xie household. 红烛背 can suggest turning away from the candle or being beyond its light; the English retains the image of turning away.